MISSION and HISTORY

THE INTERNATIONAL ASSOCIATION OF BLACKS IN DANCE preserves and promotes dance by people of African ancestry or origin, and assists and increases opportunities for artists in networking, funding, performance, education, audience development, philosophical dialogue, touring and advocacy.

The International Association of Blacks in Dance was founded as a direct result of an artistic development grant to Founder/Artistic Director Joan Myers Brown. Ms. Brown felt that a gathering of the Black Dance Community would serve not only her needs, but also needs of other Black Dance professionals. In 1988, Ms. Brown along with the Philadanco staff launched the 1st International Conference of Blacks in Dance. Eighty professionals attended. Today, the conference has grown to include an average of 600 participants from across the country, Europe, South America, Africa, Australia and the Caribbean. The conference has been held in California, Colorado, Washington D.C., Texas, Pennsylvania, Ohio, North Carolina, New York City, and slated for 2003 once again in the nation’s capitol, Washington, D.C.

In 1991, an Emergency Fund was instituted for IABD artists and companies. In 1996, it established a national scholarship-training program for dancers. Through the annual conference it offers a multi-company audition for dancers across the nation and the first of its kind. In January 1999, an Executive Director was appointed to carry forth the vision and daily administrative operations of the organization.

The Association is committed to documenting and addressing Black aesthetics in dance. It also educates younger generations about contributions of Black artists in dance. As one avenue for accomplishing these goals, the Association has established archives with the National Afro-American Historical and Cultural Museum in Wilberforce, Ohio and with the Afro-American Museum in Philadelphia, Pennsylvania.

The Association and Conference were shaped by the presence of some of the most prominent individuals in the Dance Community. Leaders included Jeraldyne Blunden, Dayton Contemporary Dance Company; Chuck Davis, African American Dance Ensemble; Carmen de LaVallade, Walter Nicks; Eleo Pomare, Eleo Pomare Dance Company; Cleo Parker Robinson, Cleo Parker Robinson Dance; Rod Rodgers, Rod Rodgers Dance Company; Lula Washington, Lula Washington Dance Company; Ann Williams, Dallas Black Dance Company; Joan Gray, Muntu Dance Theatre; and Carol Foster, DC Youth Ensemble.

The International Association of Blacks in Dance has developed national prominence and allowed the Black Dance Community to come together on issues important to them.

MILESTONES and HIGHLIGHTS

1^st national/international organization responsible for preserving
and promoting dance by people of African decent.
Internationally recognized political forum, networking for administrators, educators, choreographers, and dancers.
Yearly conferences that feature and highlight classes with master artists
of African descent.
Nationally recognized political forum for addressing critical issues
and concerns.
Yearly conferences with 200% growth pattern evident in over seven locales across the country.
Brought in artists globally (Peru, Australia, South America, Switzerland, Africa, England, Virgin Islands, Caribbean, Bermuda, and Canada).
Published choreographers directory.
Annually published newsletters on current membership events, national trends, and dance updates.
Published journal of articles by the membership of scholars, artists,
and educators.
Inter-generational dialogue between dance pioneers and students
throughout the nation.
Nurtured dialogue between companies of different art forms.
Developed and established reciprocal relationships with Dance/USA
and other organizations throughout the United States of America.
Established archives with the National Afro-American Historical
and Cultural Museum in Wilberforce, Ohio, and Afro American Historical Museum in Philadelphia, PA.
Increased visibility and credibility of conference host companies, choreographers, and artists in their communities.
Consistently and continually working with artists, companies,
and choreographers to support their works in their community.
Committed to documenting and addressing our aesthetics in dance.
Technical assistance to companies becoming presenters within their communities and across the country.
Created opportunities for joint ventures for companies, choreographers, and universities throughout the country.
Established a scholarship-training program for dancers throughout the IABD membership.
Established emergency fund for IABD artists and companies.
Developed first multi-company dance audition across the nation.

...Timekeepers of The Flame…Passing on The Torch...

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